Following my theme of guilty pleasures, tonight I shall dedicate time towards attempting to justify my fevered passion for the bone chillingly awful Ghost Hunters. Ghost Hunters, much like Deadliest Warrior, possesses such simplistically eponymous a title that I can avoid a detailed plot description and jump straight to ruthlessly mocking it.

Jason and Grant mere photoshopped inches from some buttock oriented coitus.
We follow The Atlantic Paranormal Society a.k.a. TAPS! As they bravely traverse a diverse assortment of expected (an abandoned asylum with an impending demolishment, The Cuban Club) and admirably inspired (an aquarium, a bowling alley) locales, at the prompting of people clearly possessing dubious grips on reality. What follows is footage of TAPS bravely hunting indistinguishable sounds and pesky moving objects that unfortunately disappear from shot when the camera approaches.
The show operates under a rather flimsy unoriginal ghost hunting premise, but it is the activity and the personalities contained therein that elevate it towards brilliance. We follow three teams as they each investigate different portions of the purportedly paranormally plagued premises. Team 1 usually consists of the founder, and bomber jacket aficionado, Jason “I love it when you call me big poppa” Hawes, who proves so genuinely earnest and sincere that I cannot poke too much fun for fear of causing big manly tears to drip from his bald pink face. He usually pairs up with his platonic life partner, the unwisely gelled, Grant and they conclude every investigation in their van performing a totally bromantic fist bump, dude. Team 2 is usually an interchangeable selection of women who never really do much and say things like “it’s a lot different in here when it’s dark!!”
By far my favourite team involves Steve and Dave, who retain such perpetual gormless ineptitude that they evoke comparisons to the great bumbling duos that have entertained so many with their idiocy throughout the ages. Their specious delivery of clearly scripted, and occasionally supposedly comic, dialogue is an eternal source of unintentional comedy. The acting and the budget function at a slightly higher level than your average telenovela and they clearly lack anything in the way of finances, so the supernatural activity largely involves our intrepid ghost hunters acting more as intrepid muffled noise hunters.
By far my favourite moment was during their investigation of an abandoned asylum, when one reality challenged supernatural tour guide dispensed:”around 10,000 people have died here” and “one of the patients ate his bed, springs and all.” These hyperbolic claims were reciprocated with an awed gaping of mouths that spewed the same statements later in the night with reverential sincerity.
Currently stealing my love away however, is the self proclaimed EXTREME! and RAW! Ghost Adventures, whose initial higher budget and heightened arrogance frequently dissipate midway through their investigations as they devolve into amateurish panic, faltering bravado and quick fire dudeisms.

I don't remember buying tickets to the gunshow.
Despite the fact that it unfolds more or less like Ghost Hunters on steroids and despite their insistence on their RAW and EXTREME nature, I can't help but feel that the impact is somewhat softened by the awful choice of title. I, personally, would have gone for something along the lines of AWESOME EXTREME GHOST ASS KICKERS, which is a devastatingly accurate encapsulation of what occurs every episode of a show in which the hosts cannot communicate at a volume less than 150 decibels and conclude all sentences with DUDE (uttered in a rainbow variety of different tones depending on the context). Also, really, the only extreme thing about the show is how extremely fast they run from the direction of loud noises that threaten the silence of the early morning hours.
Once again, the characters revitalise an overused format as we follow 3 EXTREME! and AWESOME! (I’ll stop now) bro’s: Zak “walking Ed Hardy advertisement” Bagans, whose body almost quivers with an abundance of testosterone. He veers between irritated school ma’am and irritable drill sergeant in his interactions with both the restless deceased and his bumbling companions, Nick “drowned rat” Groff and Aaron “cuddly bear” Goodwin, who spends the majority of his night vision explorations with fear visibly pooling in the inky black depths of his eyes, as they desperately scour for the nearest available window for him to leap from. AWESOME FACT: in a bout of sensitivity, something that the TV series is known for, Aaron was made to sit alone in the shower room of a prison where an inmate had been gang raped to death.
As if the fact that he was originally a documentary filmmaker isn't suspicious enough, Zak is awfully fond of loaded questions and frequently leaps across the chasm of logic towards baseless assumptions. His method of generating supernatural responses is rudimentary and suitably obnoxious for a man whose muscles are larger than his face: he literally stands around in the dark and shouts insults. This antagonistic approach produced a wonderfully self congratulatory talk with a priest at the end of one of the episodes, where Zak, clearly relishing the opportunity to channel Clint Eastwood, gravely informs that despite the risk to his soul, screeching down darkened corridors at inhabitants who died well over a century ago is just something he has to do, man. Coupled with this amusing sense of profound self importance is, unsurprisingly, a curious case of over enunciating everything:
This succinct visual representation encapsulates the brilliance that my failure as a writer cannot quite convey, thus I beseech you to witness it for yourself:

Jason and Grant mere photoshopped inches from some buttock oriented coitus.
We follow The Atlantic Paranormal Society a.k.a. TAPS! As they bravely traverse a diverse assortment of expected (an abandoned asylum with an impending demolishment, The Cuban Club) and admirably inspired (an aquarium, a bowling alley) locales, at the prompting of people clearly possessing dubious grips on reality. What follows is footage of TAPS bravely hunting indistinguishable sounds and pesky moving objects that unfortunately disappear from shot when the camera approaches.
The show operates under a rather flimsy unoriginal ghost hunting premise, but it is the activity and the personalities contained therein that elevate it towards brilliance. We follow three teams as they each investigate different portions of the purportedly paranormally plagued premises. Team 1 usually consists of the founder, and bomber jacket aficionado, Jason “I love it when you call me big poppa” Hawes, who proves so genuinely earnest and sincere that I cannot poke too much fun for fear of causing big manly tears to drip from his bald pink face. He usually pairs up with his platonic life partner, the unwisely gelled, Grant and they conclude every investigation in their van performing a totally bromantic fist bump, dude. Team 2 is usually an interchangeable selection of women who never really do much and say things like “it’s a lot different in here when it’s dark!!”
By far my favourite team involves Steve and Dave, who retain such perpetual gormless ineptitude that they evoke comparisons to the great bumbling duos that have entertained so many with their idiocy throughout the ages. Their specious delivery of clearly scripted, and occasionally supposedly comic, dialogue is an eternal source of unintentional comedy. The acting and the budget function at a slightly higher level than your average telenovela and they clearly lack anything in the way of finances, so the supernatural activity largely involves our intrepid ghost hunters acting more as intrepid muffled noise hunters.
By far my favourite moment was during their investigation of an abandoned asylum, when one reality challenged supernatural tour guide dispensed:”around 10,000 people have died here” and “one of the patients ate his bed, springs and all.” These hyperbolic claims were reciprocated with an awed gaping of mouths that spewed the same statements later in the night with reverential sincerity.
Currently stealing my love away however, is the self proclaimed EXTREME! and RAW! Ghost Adventures, whose initial higher budget and heightened arrogance frequently dissipate midway through their investigations as they devolve into amateurish panic, faltering bravado and quick fire dudeisms.

I don't remember buying tickets to the gunshow.
Despite the fact that it unfolds more or less like Ghost Hunters on steroids and despite their insistence on their RAW and EXTREME nature, I can't help but feel that the impact is somewhat softened by the awful choice of title. I, personally, would have gone for something along the lines of AWESOME EXTREME GHOST ASS KICKERS, which is a devastatingly accurate encapsulation of what occurs every episode of a show in which the hosts cannot communicate at a volume less than 150 decibels and conclude all sentences with DUDE (uttered in a rainbow variety of different tones depending on the context). Also, really, the only extreme thing about the show is how extremely fast they run from the direction of loud noises that threaten the silence of the early morning hours.
Once again, the characters revitalise an overused format as we follow 3 EXTREME! and AWESOME! (I’ll stop now) bro’s: Zak “walking Ed Hardy advertisement” Bagans, whose body almost quivers with an abundance of testosterone. He veers between irritated school ma’am and irritable drill sergeant in his interactions with both the restless deceased and his bumbling companions, Nick “drowned rat” Groff and Aaron “cuddly bear” Goodwin, who spends the majority of his night vision explorations with fear visibly pooling in the inky black depths of his eyes, as they desperately scour for the nearest available window for him to leap from. AWESOME FACT: in a bout of sensitivity, something that the TV series is known for, Aaron was made to sit alone in the shower room of a prison where an inmate had been gang raped to death.
As if the fact that he was originally a documentary filmmaker isn't suspicious enough, Zak is awfully fond of loaded questions and frequently leaps across the chasm of logic towards baseless assumptions. His method of generating supernatural responses is rudimentary and suitably obnoxious for a man whose muscles are larger than his face: he literally stands around in the dark and shouts insults. This antagonistic approach produced a wonderfully self congratulatory talk with a priest at the end of one of the episodes, where Zak, clearly relishing the opportunity to channel Clint Eastwood, gravely informs that despite the risk to his soul, screeching down darkened corridors at inhabitants who died well over a century ago is just something he has to do, man. Coupled with this amusing sense of profound self importance is, unsurprisingly, a curious case of over enunciating everything:
This succinct visual representation encapsulates the brilliance that my failure as a writer cannot quite convey, thus I beseech you to witness it for yourself:
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